10 weeks ago I walked into a classroom without an iota of an idea about writing a TV spec. Oh, sure, I'd read a couple, but when the teacher/professor asked which of us did not have an "industry standard outline", I was the only dummy honest enough to say I didn't.
It may have been the moment that the teacher became cold to me.
Or maybe it was an hour later when I said I was a playwright and working copywriter and that I'd drop the class in three weeks if I didn't have an outline that was passable by his standards.
After that, I never fit in. Perhaps with a baby on the way and a dwindling bank account, I expect too much. Need too much and I should just do the easy thing...
Which, when I think of it, was very very hard to break into as well.
However, outside of giving me deadlines and pointing out typos and getting a tutorial on how to use Final Draft, there was very little help about story until way late in the "semester" - and even then it was prompted by my own pushing, which in turn was prompted by questions my excellent writer friend Ross Berger posed after he read the script.
Still, I have to hand it to the teacher. He did read the work. I just feel we may have all learned more had we all read each other's scripts out loud. But if I were king, of course, the trains would never get where they were supposed to - much less be on time.
When asked where I thought the script was, I replied that I thought that was for others to say.
I should've just said, It's done. And time to write another one.
And it is.
But with so many spec TV scripts out there, I think I'll write a pilot this time.
However, if anyone asks me if I've ever written a pilot before, I'll sadly lie through my teeth and say, yes, many many times.
And I've also won the Nobel Peace Prize. Humbly, of course.