We're close to being parents.
And these days we're a bit edgy waiting for that. But now that Denver is taking some space, we're not only waiting, but we're -er, well, I'm - thinking overmuch about what comes next.
Mixed into it, I've received a few rejections - one of which actually surprised me (though I should know better) - and one of which was very detailed about why a play I'd written wasn't being accepted. This detail was offered in good faith by someone who likes my work. But I have to remind myself - a lot these days - that nothing happens overnight. Or on any schedule that I have.
On the other hand, i'm making plans to do what many here have recommended - making something myself.
It's a lot to have in the air on the eve of so much more. And sometimes I feel a little like I did last November when I was thinking we might be living in a car rather than an apartment when there was no money and no prospects.
Of course, that's not at all how it worked out. But my Irish mind went there anyway.
And I while I have to wait for what comes next, I really can't wait. It's pretty amazing to think that a year ago I never thought I'd be in such an amazingly fortunate place.
Good things to come. Good things.
In that spirit, it seems like a good time to point out some of my favorite posts by others. So, in really no particular order, here's a list of posts (an inadequate list to be sure) that were worth a look when when they were written. And I think are still worth a look now.
If you don't find one you like, just check out anyone I've put a link to on the right. They're there because I read them. You should too.
This is the first post that really caught my interest and wouldn't let go: A speech from Eduardo Machado that questioned the way playwrights are being supported by the theatre culture we live in. I believe that Isaac had found it elsewhere originally. The text and the responses it inspired at Parabasis made me take the "theatrosphere" seriously and made me want to contribute.
This manifesto from Adam was great. Certainly made me think a little more about what I wanted to see in theatre. I suppose you might expect nothing less from Adam, who suggested I create my own blog just a little after we left school.
Ever feel stuck? You are not alone. Another gem from Szymkowicz.
I used to read George Hunka very regularly. I still peak occasionally. Whatever one thinks of his style, he sticks up for seriousness and against the trivial. His "Organum" is a perfect example of his maddening tone and his incisive thinking. If you can't get one without the other, well, I'll take both rather than neither. So, look around.
Matthew Freeman has few things to say about the "Organum" too - and why he prefers practice to theory.
Of the many things discussed in the "theatrosphere" funding is one of the more important topics. Here Freeman talks about the arts funding decline.
Another popular discussion has been the way writers have wrestled with narrower production opportunities and the rise of development. The Playgoer led a lot of these conversations.
But he's not the only one as these posts from Mr. Excitement and Laura - who no longer writes about theater - show.
It all lead to a lot of yelling and kvetching until, eventually, Jason Grote weighed in with some tempered observations based on his experiences.
The subject got explored from a different angle when Isaac quoted Albee and delved into questions about our collaborative natures.
And there's this from Playgoer about the economics of what we do.
One of my pet subjects is the need to do more than theatre when theatre isn't keeping the lights on. The always provocative Don Hall had this to say. Laura also had some thoughts that are worth reviewing. That of course is one reason why I believe Joshua James made this declaration.
Then there are big subjects that get broached. Like the one that unspooled from this post by David Cote. Religion seems to do that.
David also wrote this piece that exemplifies one aspect of what I'd like see instead of theatre reviews - the think piece.
Finally, I'd be totally remiss if I didn't point out the great thinking of Dave Tutin as exemplified by this observation about where we discover who we are.